L'Ensemble Portique
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Concert Booking

L'Ensemble Portique's vast and varied repertoire lends itself to performances in intimate venues (concert series in private homes, museums, churches, colleges), as well as larger, more traditional settings (concert halls, theaters, auditoriums.)

The ensemble incorporates period instruments in its early music concerts, premieres new works on its contemporary programs, and combines both old and new in its signature performances. All programs include verbal anecdotes highlighting key points of interest such as instrumentation and historical perspectives that engage audiences and contribute to the rare listening experience.

Presenters may choose from the programs below, or L'Ensemble Portique will design custom-made concert events to fit specific occasions.

For programming requests and proposals, please contact L'Ensemble Portique.

Program Offerings
Cantata Portique
recorder/flute, Baroque/modern cello, harpsichord, piano

This program features Cantata Portique (premiered by L'Ensemble Portique in 2004) by Julie Niedziejko Brandenburg - a 45-minute journey celebrating the life of artist Madeleine Stanley Jossem. The performance includes slides of her work and excerpts of her voice heard throughout. The first half of the program presents works by the famed JS Bach, Boismortier and Telemann.


Kindred Spirits: Folk Influences Past and Present
recorder/flute, Baroque cello/viola da gamba, harpsichord

This program explores composers' compositional treatment of folk idioms through their own inspiration and experiences. Selections include three Trio Sonatas by Georg Philipp Telemann, Sonata for flute, viola da gamba and harpsichord (2000) by Max H. Yount, and Assumptions (premiered by L'Ensemble Portique in 2005) by Michael Mayerfeld Bell, Rural Sociologist and Composer at the University of Wisconsin-Madison.


La Burrasca (The Storm)
recorder/flute, cello/viola da gamba, harpsichord

Built around Simonetti’s fiery trio sonata "La Burrasca," this program takes on the wild and stormy music of Vivaldi, Albinoni and Castello, as well as Martinu’s Promenades for flute, violin and harpsichord and Microcast (premiered by L'Ensemble Portique in 2005) by Madison composer, David Drexler.


The Suite Sonata: the Intellect, the Abstract & the Fanciful
recorder, Baroque cello, harpsichord (organ optional)

Exploring the form, development and inspiration of the Baroque sonata, this program presents it in all its manifestations: the one-movement sonata of the early Baroque, the "standard" church sonata, the French-influenced dance suite and the ever-popular trio sonata. Music by Frescobaldi, Vivaldi, Telemann, Boismortier, Corelli and JS Bach.


Holier Than Thou: Dances and the Divine
recorder/flute, Baroque/modern cello, guitar

This program explores the worlds of sacred and secular music - from the glory of the Baroque repertoire to the innovative sounds of contemporary chamber music. Featuring wrecked angels (premiered by L'Ensemble Portique in 2003) by Geoffrey Gordon, Histoire du Tango by Piazzolla and La Follia by Corelli.


Based on Principle: A Contemporary Look at Melody, Harmony & Rhythm
flute, clarinet/bass clarinet, double bass, piano

In this all-contemporary program, L'Ensemble Portique performs several compositions by Wisconsin-area composers. The program presents works from the 20th and early 21st centuries with a specific look at their relationship to, or departure from, the elements of music with which we are familiar - melody, harmony and rhythm. The concert feature’s Jens Joneleit's 20-minute epic ...di altri spazi... (...of other spaces...) (premiered by L'Ensemble Portique in 2003), VISIONS by Dan Maske, Impromptu for solo piano by Geoffrey Gordon, Deux Interludes by Jacques Ibert and duos by Morton Gould and Villa-Lobos.


Trios for 2 to 3 Players
recorder/flute, violin, harpsichord, piano

This program challenges the conventional notion of a trio as performed by three people and implores a search for three musical voices when presented by only two, as in the selections for recorder and harpsichord obbligato by Boismortier, J.S. Bach and C.P.E. Bach. Three "veritable" trios for flute, violin and piano by Martinu and Luening are added to the program.


Positive Music: Musical Responses to HIV/AIDS
baritone, flute, violin, cello, piano

Unlike other AIDS benefit concerts, which usually feature music that has little or no connection to the crisis, this unique event presents musical responses to HIV/AIDS. The program features selections from the AIDS Quilt Songbook as well as three pieces by Julie Niedziejko Brandenburg, Jens Joneleit and Dan Maske (all premiered by L'Ensemble Portique in 2004). The program includes a brief pre-concert lecture discussing how the AIDS crisis has affected music and musicians in the United States.

For programming requests and proposals, please contact L’Ensemble Portique. Programs are subject to change.
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